Today, April in color. This is a series of experimental shots from my film photography days, and one of my first sessions for Penthouse. There is also an older black and white gallery of this model (doesn't she remind you of Marilyn Monroe?) that demonstrates what I was really doing in her session, but these 35mm color film shots were done as an after-thought. In those days, for special effects, we would shoot tungsten film (made for yellow lighting) and then have the lab process it as if it were shot with film balanced for daylight - thus the weird blue hue and fuzzy grain. Anyway, it was always unpredictable and I disliked shooting 35mm film, so I stopped experimenting shortly after this shoot.
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